That intelligence works reasonably well, generally speaking. Like Portrait stills, the subject is crisp while the background gets a shallow depth of field effect you can tap different subjects to smoothly switch that blurring, or leave Cinematic mode to intelligently switch by itself depending on what it thinks the most likely subject is. Apple describes it as a far easier to use version of the focus racking that professional videographers rely on expensive camera rigs to achieve it’s probably easier to think of it as Portrait mode but for video. What they’re much more likely to play with is Cinematic mode. Honestly, ProRes is nice but I suspect most people are never going to take advantage of it. That’s if you have anything but the lowest-capacity iPhone 13 Pro: if you opt for the 128GB model, your ProRes support is capped at 1080p/30. I even ended up using the iPhone 13 Pro Max for many of my Rivian R1T photos and videos.įor video, there’s up to 4K/60 Dolby Vision HDR recording, or – after an update – ProRes video recording at up to 4K/30fps. There’s talk of future iPhone adding longer-reach periscope zoom lenses, but honestly this current setup is more than enough for most people in day to day use. Lower levels of Apple’s digital zoom are perfectly serviceable, too. As for the 3x optical telephoto, that’s even more useful than the old 2x zoom.
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